Fab Four Festival Flops - A Second Installment of Mood Music
Ever wonder from whence your least favorite Christmas songs came? So do we, and rather than actually find out the truth behind the music, C offers the following (originally posted as a comment to Mrs. Darwin's quick take about Paul McCartney's "Wonderful Christmastime":
After not being able to get in the car or enter a store between Veterans' Day and Christmas last year without being subjected to "Wonderful Christmastime," I formulated a hypothesis for the source of its inspiration. While I can't prove anything, my scenario goes something like this:
Scene one:
The lights go up to reveal not-yet-Sir Paul in his studio on the phone. A large calendar on the wall clearly shows it is November 1.
Paul: What's that? A Christmas Special? An original song? When's the shoot? In a week? Well, I'll see what I can do.
Scene two:
Paul is now slumped over a piano, twiddling a pencil. Blank staff paper rests on the music stand. The calendar now has the dates of November 2-6 clearly crossed out. An ice cream truck passes by in the studio window, and a half dozen tinkly notes can be heard as it goes out of sight. He sighs, and scratches on the staff paper. He hums the theme once or twice.
Paul: Not bad. Now for some lyrics. Christmas. I need something Christmassy, but that won't bother anyone who isn't celebrating...(thoughtfully) have a merry...no, the rhythm's wrong...have a wonderful Christmas...better...(singing) may you have a wonderful Christmastime!
[The phone rings].
Paul: Yeah, yeah, it's ready to go! I'll see you in the morning. Toodles!
He addresses the staff paper with renewed vigor as the lights fade out.
After not being able to get in the car or enter a store between Veterans' Day and Christmas last year without being subjected to "Wonderful Christmastime," I formulated a hypothesis for the source of its inspiration. While I can't prove anything, my scenario goes something like this:
Scene one:
The lights go up to reveal not-yet-Sir Paul in his studio on the phone. A large calendar on the wall clearly shows it is November 1.
Paul: What's that? A Christmas Special? An original song? When's the shoot? In a week? Well, I'll see what I can do.
Scene two:
Paul is now slumped over a piano, twiddling a pencil. Blank staff paper rests on the music stand. The calendar now has the dates of November 2-6 clearly crossed out. An ice cream truck passes by in the studio window, and a half dozen tinkly notes can be heard as it goes out of sight. He sighs, and scratches on the staff paper. He hums the theme once or twice.
Paul: Not bad. Now for some lyrics. Christmas. I need something Christmassy, but that won't bother anyone who isn't celebrating...(thoughtfully) have a merry...no, the rhythm's wrong...have a wonderful Christmas...better...(singing) may you have a wonderful Christmastime!
[The phone rings].
Paul: Yeah, yeah, it's ready to go! I'll see you in the morning. Toodles!
He addresses the staff paper with renewed vigor as the lights fade out.
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